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  • Insider tips for Indian Market and Festival

    by Claire Quimby, Eiteljorg festivals and markets intern | Jun 18, 2013

    It’s the final countdown to Indian Market and Festival on Saturday and Sunday June 22 and 23, and the tempo around the Eiteljorg festivals department is rapidly gaining speed. Surrounded by all the behind-the-scenes preparations, I suppose I ought to feel like an expert, but I’ve never actually been to Indian Market. I know I’m not the only one, so I’ve gathered together some insider tips from our veteran market-goers to share.
    Indiana market welcome packets
    1. Consider attending the Friday Night
    Preview Party.

    The Best of Show exhibit alone is worth the ticket price. This is the only opportunity to see all of the prize winning art on display. The food by Kahn’s Catering is fantastic and it’s fun to visit with the artists and their families before the weekend hubbub starts. Like, really fun. They’re cool and funny and a little punchy from traveling. You’ll also be granted VIP early bird shopping on Saturday morning, which is no small thing when you’re racing to get to your favorite artist’s booth before someone else snatches up all the best pieces. (2012 preview party pictures below)
     

     

    Indian Market preview party

    2. Use the event program to plan your day.

     You don’t have to miss a performance or get lost on your way to buy food tickets if you use the schedule and map in this handy guide. There are also in-depth profiles of several of the top artists as well as our performers. And lots of pretty pictures.
     
    indian market 2013 cover

    3. Come early to stake out seats in the entertainment tent.

    Things get going first thing with Brian Buchannan, Chief of the Miami Indians of Indiana offering an official welcome and prayer to the artists and visitors. Then it’s nonstop storytelling, music and dance until the gates close. Checkout the jam-packed schedule here.  

    4. Did someone mention food?

     Everyone says Indian tacos are a must for lunch. Check. But I need to plan out what to eat the second day of market or, realistically, as a mid-afternoon snack on the first day. I was told to look no further than the Mexican food vendor whose tamales, quesadillas and pupusas are beyond excellent. Apparently, the kettle corn is awesome too. And I’m sure I won’t be able to deny the lure of Baskin Robbins ice cream on an Indiana day in June. From all reports, you can’t go wrong with any of the food. And, if you’re looking for a shady retreat in between activities, the historic shelterhouse on the east side of the park is a great place to hang out with a cold drink – especially a frozen café melmoso from Hubbard and Cravens.

     

    5. Take time to chat with the artists

    Indian Market isn’t just a place to buy art – it’s an opportunity to engage with people with different cultural backgrounds and interesting knowledge to share. Even if you’re not planning to shop, the artists are really neat people and are excited to talk with you about what they do.
     

    6. The Dogbane Family Activity Area isn’t just for kids

    The Eiteljorg’s crack team in the education and public programs departments has come up with fun museum-based art activities for all ages to make and take home. You can color guitar fans and make guitar pick pendants, create ledger art and create sgraffito “scratch art.”

     
     

    7. The Eiteljorg Museum

    Not only does the Eiteljorg building offer the comfort of air conditioning and flushing toilets, there’s a lot to do and see inside the museum – and it’s free with admission to Indian Market. Check out the Guitars! exhibit; visit our western galleries, the contemporary art galleries and the Native American galleries; climb aboard a real stagecoach; get something to eat in the café; get your official Indian Market and Festival t-shirt in the store.

     8. Finally: buy your tickets in advance!

    Okay, this is my own tip, and I’ve already revealed my newbie status, but even an amateur knows that you shouldn’t pay more than you have to. You’ll pay $2 less per ticket than if you buy them at the gate. That’s $2 more for artwork and food. You can get them online here or at Marsh stores. 
     

    Claire Quimby
    Eiteljorg festivals and markets intern

    Go comment!




  • Redefining Native Music

    by By Claire Quimby, Eiteljorg festivals and markets intern | Jun 11, 2013

    “We’re hard to describe. The music is reggae and rock; it’s got flutes; it’s got English and traditional vocals, ballads and some heavy stuff. If I had to describe us, it would be as Native music. That’s what it is.” Adrian Wall, May/June 2013 Native Peoples Magazine.

    Less than two weeks until the 21st annual Eiteljorg Indian Market and Festival (June 22 and June 23) and excitement is growing for the  talented musicians who will rock the main stage at Military Park. While researching this year’s performers, I got caught up in the question, “What is Native music?” It’s not an easy question to answer. Today’s Native artists are not defined by any single style – their influences are as varied as the genres you might hear while scanning the radio. Multiply those possibilities by hundreds of different tribal affiliations and add to that the intricacies of each artist’s unique personal history and perspective – and you end up with an incredibly diverse range of music. If you’ve only experienced Native music at powwows, Indian Market is a fantastic place to expand your musical point of view. Each of this summer’s leading acts brings a unique blend of contemporary music artfully combined with traditional Native American influences.

     

    Shelley Morningsong (Northern Cheyenne/Dutch) grew up in a musical family, so it’s small surprise that by the time she hit high school she was performing in a country-rock band and sneaking into clubs to listen to rock ‘n’ roll and blues. Morningsong lists Bonnie Raitt, Rosanne Cash and Old Blues legend Buddy Guy as some of her most important musical influences, but her music is also inspired by her Native roots as well as her personal experiences. Her 2006 debut album Out of the Ashes pays tribute to the Zuni creation story, while also referencing her own life story as a survivor of domestic violence. Ashes and Morningsong’s second album Full Circle feature her soulful lyrics augmented by electric guitar, bass, drums and synthesizer arranged by Grammy Award winning producer Larry Mitchell. Morningsong’s husband Fabian Fontenelle adds traditional percussion, sings in his native Zuni language, and dances for live performances. Morningsong’s most recent album Heart Songs of the Native American Flute was just released this spring and highlights her love for the instrument.

    Catch Morningsong, rocking the Eiteljorg stage with a full band, both days of Indian Market. Performances are at noon and 3pm.  

     

    Twin Rivers is named for the convergence of musicians and old friends Adrian Wall (Jemez Pueblo/Ojibwe) and Ed Kabotie (Hopi/Santa Clara Pueblo). Wall and Kabotie’s musical collaborations began as middle school metalheads at Santa Fe Indian School. The years took them separate ways, but eight years ago the rivers of their lives flowed back together and the music was soon to follow. The duo’s first independent album, Springs of Guisewa, draws inspiration from traditional Native songs. Kabotie writes their songs in the three languages he speaks: English, Hopi and Tewa. Exploring Native identity is a crucial part of their music. Their sound is also part rock, part reggae, and part jazz – you can hear the familiar reggae offbeat blended with Native flute in their title track, Springs at Kesewa. The way Twin Rivers intertwine these diverse musical influences reflect their philosophy “that we are all distinct, but connected as if we are one. “ Twin Rivers will be joined by Kabotie’s son Rylan at Indian Market this year, as the three continue their work to redefine the Native experience through music.

    Catch Twin Rivers both days of Indian Market. Performances are at 2pm.

    CLICK PHOTO BELOW TO PURCHASE INDIAN MARKET & FESTIVAL TICKETS:


    Claire Quimby
    Eiteljorg festivals and markets intern

    Go comment!




  • Inside Eiteljorg Indian Market and Festival: How artists are selected

    by Jaq Nigg, Eiteljorg festival and events manager | May 27, 2013
    Indian Market includes an evening opening party and two full days of performances, food, cultural activities and, of course, art sales. We always point out that artists must be Native American and selected into the show, but what exactly does that mean?


    Artist: Darance Chimerica (Hopi)

    Being “Indian”
    Artists have to show a tribal enrollment card or an authorized letter from their tribe to prove they’re Indian. There’s a law. The Arts and Crafts Act of 1990, enforced by the U.S. Department of the Interior, was introduced to protect Indian artists from non-Indians trying to capitalize on their cultures by making it illegal to offer for sale any product that falsely suggests it is Indian produced. Legally, “Indian” is defined as “a member of any federally or state recognized tribe or an individual certified as an Indian artisan by a recognized tribe.” There are uncomfortable gray areas involving historical tribes that are no longer legally recognized. An example close to home is the Miami Indians of Indiana. Simply put, organizations like the Eiteljorg have to follow the law.


    Artist: Judy Tafoya (Santa Clara Pueblo)

    The fun part: artist selection
    Each February, a crack team gathers to review a couple thousand slides representing all of the artists hoping to be selected to Market. The team is made up of Eiteljorg curators, a jury of experts in Native art and the Eiteljorg festivals team (you know, to order coffee and bring snacks). Artwork is judged for craftsmanship and originality. The selectors must assign a score from one to five, without the option of a three. Over the years, I’ve learned so much just listening. Toward the end of the day discussions can get silly, but most offer master-class-level commentary on art, history and cultures. I am lucky to be a fly on that wall.


    Artist: Dallin Maybee (Northern Arapaho/Seneca)

    Math is Hard
    Once the selectors have done their work, I tabulate the scores for each division. We get more submissions in some categories than in others so we use a curve. For example, a higher percentage of jewelry artists apply so they must receive higher scores to be accepted. It’s a very selective process and many great artists don’t make the cut. We encourage those artists to try again.


    Artist: Ernest Benally (Navajo/Diné)

    What comes next?
    We work all year on Market, but once the artist letters go out, the countdown really begins. They keep us on our toes with questions and suggestions. They want the market to be successful and prosperous for themselves and for us. We do everything that we can to make sure they are taken care of. I always say one of my favorite parts of the market is that, although the artists are our guests, the Eiteljorg and the artists come together to host our visitors.

    Don’t miss your chance to meet this year’s selected artists on June 22-23 in Military Park! For more details, visit the festivals and events section of our website.  


    Artist: Marty Gradolf (Winnebago of Nebraska)

    See you there!
    Jaq Nigg
    Eiteljorg festival and events manager



    Go comment!




  • The Fuss Over Fry Bread at Indian Market

    by Claire Quimby, Eiteljorg festivals and markets intern | May 15, 2013

    “It’s one in the morning, and I’m awake, thinking about frybread…”
    – from Frybread Dreams, a poem by Richard Walker

    Frybread picture from - mountainhomequilts.blogspot.com

    If you’ve ever been to any Native American event, you’re probably familiar with fry bread. If you’ve never tasted it, you are truly missing out. Fry bread is just what its name implies… dough that is fried in oil to create a puffy, delicious bread. Fry bread can be a sweet treat or the foundation of “Indian tacos,” topped with ground beef, cheese, lettuce, tomatoes and salsa/chile.

    Images from chibbqking.blogspot.com and cookingclassy.com

     

    Every year at Indian Market and Festival, people happily wait in line at the Indian taco truck (rain or shine) for their fry bread fix. It’s so popular; the Eiteljorg staff looks forward to it each year as one of the highlights of the whole event.

    people wait in line at indian market for their frybread fix!

    Most of us agree that fry bread is super tasty. But the fuss over fry bread isn’t just about taste. It’s about history, tradition, survival and love.

    According to Frybread by Jen Miller (Smithsonian Magazine, July 2008), the origins of fry bread date back to 1864 and the Long Walk of the Diné (Navajo), when the U.S. government forcibly relocated thousands of Native Americans from their lands in Arizona to New Mexico. Removed from their traditional sources of food, the Diné had to rely on meager government rations. Many died of starvation. Fry bread was a food of survival, created from a few simple ingredients that the Diné had access to: flour, lard, baking powder, salt, water and powdered milk. For many Native Americans fry bread is a reminder of the conditions their ancestors endured, and how they created something from nothing to live another day.

    Many foods evoke strong feelings and memories, but you would be hard-pressed to find a better example than fry bread. Fry bread fans have created facebook pages, websites, poems, stories and cooking competitions. Most agree that love is a critical ingredient. How else would you turn rations and suffering into a food of survival and celebration?

    Fry bread is loved, but it has also been criticized. In an article in Indian Country Today, Suzan Shown Harjo railed against fry bread for the sorrowful history it represents, for its high calorie count, and for being a poor substitution for many other traditional Native American breads. Despite calories and history, however, Native America is still a strong supporter of fry bread, mockumentary film dedicated to it.

    Either in spite of its difficult history or because of it, the lines in front of the fry bread truck, during the Eiteljorg's Indian Market & Festival June 22 and 23, will continue to form this summer. No Native American gathering would be the same without it. 

    2013 indian market flyer


    Claire Quimby
    Eiteljorg festival and markets intern

    Go comment!




  • Hoop Dancing Champion Heads to Eiteljorg Indian Market & Festival

    by Jaq Nigg, Eiteljorg festivals and markets manager | May 01, 2013

    As the Eiteljorg’s festival and markets manager, each year I plan what I hope will be an exciting entertainment schedule for Indian Market and Festival. My goal is to fill the stage with mesmerizing, educational, straight-up fun performances. This year will not disappoint! We’re excited to bring five-time world champion hoop dancer Tony Duncan (Apache/Arikara/Hidatsa) to make his Indian Market debut June 22 and 23!

    Duncan told Indian Country newspaper, he believes people should “Dream big. Whatever it is you love to do, do that. Practice, practice, practice!”

    So, you might be wondering, what is hoop dancing?
    In hoop dancing, dancers use colorful hoops and their bodies to tell stories, creating shapes with the hoops – for example, animals, flowers and eagles. But trying to describe it with words doesn’t work. You have to see it to really appreciate the artistry and athleticism that go into being a hoop dancer.

    Click for video

    Tony embodies the idea of tradition playing an important role in contemporary life. Traditional hoop dance was ceremonial and has evolved into a storytelling art. After winning his fifth world championship, Tony was approached by Canadian recording artist Nelly Furtado about performing in the video for “Big Hoops (Bigger the Better). He jumped at the chance to combine traditional dance with contemporary dance music. He loved the experience and joined Nelly on a world tour and on mainstream stages like the Billboard Music Awards and The Tonight Show.

    Click for video

    For Tony, hoop dancing is special. Here's what he told Indian Country about what hoop dancing has meant to him:  “It's very inviting—a hoop is laying there and you just want to pick it up and start spinning it and jump through it. My father taught me when I was 5 years old, and since then I've just loved dancing. The hoop teaches us many things, primarily, having respect for all of life and life’s creations. It teaches us about the different cycles of life, the changing seasons upon Mother Earth, as well as the seasons of our own lives. All of life dances in a circle and we’re all connected. It’s a very exciting yet spiritual dance, there's nothing else like it.”

    Please visit Power 2 Give to find out how you can help bring Tony Duncan and his dance group to Indian Market and Festival.

    Over the years, the Indian Market & Festival stage has been graced by a diverse mix of traditional and contemporary representations of Native cultures: flutes, drums, electric guitars and didgeridoos; stories about raven, coyote and other animal teachers; stories about cell phones, airplanes and modern life; songs in English, Lakota, Navajo, Tsimshian and Inuit; traditional dancers with superman tattoos; and contemporary singers wearing regalia. This mixture of past and present is evidence of vibrant Native cultures and part of what makes Indian Market such a great event. 

    We hope to see you June 22 and 23! Be sure to catch Tony Duncan's performance. And, if you've ever seen hoop dancing, tell us about your experience in our comments section!




    Jaq Nigg
    Eiteljorg festivals and markets manager 

     

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