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  • New Art 2.0 | Exhibit and sale opens Saturday, Nov. 1

    by Jennifer Complo McNutt and Ashley Holland | Oct 29, 2014
    Bird Hat 

    Rick Bartow (Wiyot of Northern California), Bird Hat, 2013, monoprint, edition 1/1, 30 1/8 x 22 1/2 in. Print courtesy Crow’s Shadow Institute of the Arts. Photograph by Hadley Fruits.

    Collector. Patron. Donor. These are a few of the words museum insiders like to use. They sound impressive. How can someone become associated with one or all of these words? How do they become more than words that give meaning to people’s lives, both personally and for the public? It is art, but is it good? Who makes those determinations? How? It was these questions and ideas that led to the creation of New Art 2.0.

    Feddersen and Lavadour
    Feddersen (Colville Confederated Tribes) and James Lavadour (Walla Walla), Untitled (Amongst Friends series), 2010, monotype, edition 1/1, 15 x 22 3/8 in. Print courtesy Crow’s Shadow Institute of the Arts. Photograph by Hadley Fruits.

    The New Art of the West series is not a new concept. It is the exhibition that helped to establish the Eiteljorg contemporary collection and in particular planted the seed of interest in Native American contemporary work that has become the hallmark of the contemporary collection. The series promoted cultural variety and diverse traditions as well as time-honored practices in landscape, portraiture, and still life. New Art 2.0 takes its cue from the exhibition that produced nine shows and catalogues and highlighted the best emerging and established contemporary artists working in the West today.

    Eva Lake, Golden
    Eva Lake (American, born 1956), Golden no. 2, 2012, lithograph, edition 14/14, 30 x 30 in. Print courtesy Crow’s Shadow Institute of the Arts. Photograph by Hadley Fruits.
     
    We are grateful to the patrons and collectors who supported our initial efforts at collecting during the museum’s 25 years. As the museum looks to the next 25, it also ushers in a new generation of patrons and collectors with New Art 2.0. This next exhibition is a fitting complement to the collecting opportunities found in Quest for the West and our annual Indian Market and Festival.

    Working in partnership with Crow’s Shadow Institute of Art , with a little help from Todd Bockley Gallery in Minneapolis, Minnesota, New Art 2.0 includes prints by Native and non-Native contemporary artists and features many artists whose work is already in the Eiteljorg permanent contemporary collection. Native artists Joe Feddersen, Marie Watt, Jim Denomie, Truman Lowe, and Kay WalkingStick, to name a few, are coupled with non-Native artists such as Dale Chihuly and Storm Tharp.

    Damien Gilley, Everything Incorporated
    Damien Gilley, Everything Incorporated, 2014, lithograph, edition 1/12, 22 x 30 in. Print courtesy Crow’s Shadow Institute of the Arts. Photograph by Hadley Fruits.

    So to answer a few questions new patrons and collectors may have, owning artwork creates an affinity and affiliation with artists and organizations, and a curiosity and empathy for broadening world views. Patronage at any level indicates a responsibility and embodies idealism toward humanity and the musing of mere mortals.

    Can one piece of art really incite so much? We have seen it happen again and again. Let it happen to you.

     New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and Non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000. 
     
     

     

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  • The Kersting Collection of Southwestern Cultural Arts

    by James H. Nottage, Eiteljorg vice president and chief curatorial officer | Oct 03, 2014

    NA GALLERY CHANGES 2
    Weavings in the Eiteljorg's Southwest gallery.


    Have you visited the Eiteljorg’s Native American galleries lately? Changes began taking place in July and the major reason for this is that we have taken the opportunity to feature donations from Helen Cox Kersting in the Southwest and California sections.  Helen has continued to actively support the museum, joining us with her companion Donald DeWitt at the 25th anniversary gala in late May. Just a few months ago, collections and curatorial staff visited their home in Arizona to pack and move the last of Helen’s collection to Indianapolis. To date, Helen Kersting has donated an astonishing collection of jewelry, pottery, weavings, Katsina carvings, baskets, paintings and other objects numbering over 1,000 items!

              NA GALLERY CHANGES1 
    Eva Salazar (Kumeyaay), snake basket, 1990-2008, installed in newly created basket exhibit. Gift: Courtesy of Helen Cox Kersting in memory of Dr. Hans Joachim Kersting.

    Helen Cox Kersting 2013For the Eiteljorg staff, working with Helen Kersting has been a highlight of our careers. For the future of the Eiteljorg Museum, we have gained significant strength in our collection with masterworks from Navajo, Hopi, Zuni, Santa Clara, San Ildefonso, Acoma, Zia, San Juan, and other cultures. Prior to 2008, our collection expressive of these cultural areas was small and undistinguished.  Today, our holdings are admired by colleagues, artists and the general public. When the original Kersting gift was exhibited and published in 2010 the greatest obvious strengths were in pottery and jewelry. In the years since, Helen has focused on adding to these areas while building strength in other areas of the collection. In particular this is true of Katsina carvings and Navajo weavings. New installations in the gallery are now featuring some of the weavings, more baskets, and jewelry.  In coming months you will see additional evidence of how the collection has been enriched.

                We all deeply appreciate what will be the lasting legacy of Helen Cox Kersting’s collection at the Eiteljorg Museum.  When you visit, admire her contributions. Consider writing a letter of thanks to her and send it to my attention at the museum. I know she would appreciate your thoughts.

    NA GALLERY CHANGES 3Larry Vasquez (Aztec/Mayan/Mescalero Apache, born 1947), necklace of Lone Mountain fossil turquoise and gold. Gift of Helen Cox Kersting, to celebrate the 25th anniversary of the Eiteljorg Museum.
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  • Navajo Rugs, Buckaroo Bash and a Halloween Event Just for Adults | October Calendar of Events

    by Eiteljorg Museum of American Indians and Western Art | Oct 02, 2014

     October gives visitors plenty of chances to learn, play and party at the Eiteljorg!
      

     
    Dawn Dark Mountain (Oneida of Wisconsin), Beneath the Ever Growing Tree 

    Saturday
    Oct. 4
    1 p.m. – 4 p.m.

    Meet Artist-in-Residence Dawn Dark Mountain (Oneida of Wisconsin)
    Dawn specializes in transparent watercolors. In addition to her paintings, she creates linoleum and wood-block prints that are then completed with watercolor. Visitors can learn about Dawn’s culture and watch as she demonstrates her techniques.
     

    Navajo Rug Auction at the Eiteljorg Museum

    Saturday
    Oct 4
    Navajo Rug Auction

    9:30-11:00 a.m.    Preview 
    11:30 a.m.            Auction Begins
    Navajo rugs in traditional and contemporary designs from the R.B. Burnham & Co. Trading Post in Arizona will be auctioned. Prices range from less than $100 to $10,000. 
      
    Presse_When_Thou_Art_Gone
    Quest artist Heide Presse, When Thou Art Gone to Western Land, 2014, Oil on Linen, 26 x 26 inches
    Sunday
    Oct. 5
    Quest for the West® Art Show and Sale closes at 5 p.m.  


    DG House (Cherokee of NE Alabama), Ancestors Yet to Come
     
    Saturdays
    Oct 11, 18 and 25

    1 p.m. – 4 p.m. 

    Meet Artist-in-Residence DG House (Cherokee of NE Alabama)
    Contemporary Native American artist, DG House, will share her art and culture. Guests may also watch her demonstrate her mixed media and painting techniques.
     
    Saturday
    Oct. 18
    10 a.m. – Noon
    Ledger Art Workshop
    Join artist-in-residence, DG House, for this one-of-a-kind workshop and learn about the history of ledger art explained through the story of the Battle of Little Bighorn. With DG’s guidance, participants will create their own personal ledger art to take home. Materials Fee: Non-Members $12. To pre-register by Oct.11, call 317.275.1370.



    Saturday
    Oct. 18
    7 p.m.
    Leather and Lace |The 17th Annual
    Buckaroo Bash
    The Buckaroo Bash is one of the Eiteljorg’s biggest fundraisers. Proceeds from the event purchase art supplies for visiting students and support education programs such as artists in residence, gallery interpreters, and Eiteljorg Museum to the Classrooms: Stories of Diversity. RSVP by Oct. 10. by calling 317.275.1333. Price: $200


    Day of the Dead/ Dia de los Muertos at the Eiteljorg Museum

    Saturday
    Oct. 25

    11 a.m. – 4 p.m.

    Day of the Dead/Dia de los Muertos (photo attached)
    This year NOPAL (an Indianapolis Latino arts and culture organization), is partnering with the Eiteljorg to provide an upbeat experience during the Day of the Dead celebration. The event will include festive and thoughtful ofrendas (altars that honor deceased loved ones); art created by local artists; a mercado; and a Katrina fashion show. Entertainment will be provided by NOPAL Musicians and Anderson Ballet Folklorico. Guests may visit with New Mexican tin artist Richard Gabriel, Jr., and local contemporary papel picado artist Beatriz Schlebecker. Guests will get to create their own papel picado and tin ornament to take home.

    Friday
    Oct. 31
    8 p.m. – Midnight

    Freiteljorg with the ICO and DJ Kyle Long (an adult Halloween party)
    Celebrate the opening of New Art 2.0 by partying until the witching hour in your most haunting attire. Enjoy grown-up trick-or-treating, while grooving to an unforgettable live mash-up of modern DJ experimental sounds featuring DJ Kyle Long and the Indianapolis Chamber Orchestra. Costumes mimicking Native Americans or people of other races will not be tolerated. Price: $20 for non Agave members, $30 at the door.
     
     
     Rick Bartow (Wiyot tribe of Northern California), Bird Hat, 2013, monoprint, edition 1/1, 30 1/8 x 22 1/2, Print courtesy: Crow's Shadow Press, Photography by Hadley Fruits. 

    Saturday
    Nov 1

    New Art 2.0 opens
    Dates: Nov. 1 –Jan. 4, 2015

    New Art 2.0 is an exhibition of prints by contemporary Native and Western artists, many of them Eiteljorg Contemporary Art Fellows. It is a blend of landscape, political and environmental statements as well as portraiture. Eighty limited-edition prints will be on exhibit. Prices range from $500 - $4,000. 

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  • Eiteljorg Fellow Wendy Red Star's Exhibit Opens Friday, June 6 at iMOCA

    by Eiteljorg Museum of American Indians and Western Art | Jun 05, 2014


    Yakima Nation Youth Activities, Wendy Red Star, Archival Inkjet Print, 2014

    The Eiteljorg Museum has the privilege of partnering with Indianapolis Museum of Contemporary Art (iMOCA) to present the art of Wendy Red Star (Crow) in the exhibit Circling The Camp: Wendy Red Star. Red Star is a 2009 Eiteljorg Fellow and prolific artist. Thank you to Shauta Marsh, director, iMOCA for sharing her thoughts about contemporary art and Red Star's work in this interview with Eiteljorg Contemporary Art Curator Jennifer Complo McNutt. 

    More on Wendy Red Star from iMOCA's newsletter:
    Over the course of her practice, Wendy Red Star has worked within and between the mediums of photography, sculpture, installation, performance and design. Featured in Huffington Post and other publications, the 2009 Eiteljorg Fellow will open her solo exhibition with iMOCA June 6, from 6-11 p.m.  The exhibit will run through July 19th with the hours of Thursday- Saturday, 12 am-7 p.m.  

    Artist talk between Red Star and Eiteljorg Museum's Curator of Contemporary Art, Jennifer McNutt, is June 7 at 1 p.m.

    Red Star's work layers influences drawn from her tribal background (Crow), daily surroundings, collected ephemera and conjured histories that are both real and imagined. Through her photographs and sculpture new universes are built, simultaneously urban-rural and high-low with their own language of symbols created from such seemingly disparate sites as rez cars, powwow culture, indigenous commoditization, and Red Star's personal collection of memories growing up as a half-breed on the Crow Indian reservation.

    Wendy Red Star is an artist living and working in Portland, Oregon. Red Star received her B.F.A. from Montana State University-Bozeman and her M.F.A from UCLA in 2006. She has exhibited both nationally and internationally. Her exhibitions include shows at the Fondation Cartier pour l'Art Contemporain, Hallie Ford Museum, The Eiteljorg Contemporary Art Fellowship 2009, Utah Museum of Contemporary Art, Domaine de Kerguéhennec, Laura Bartlett Gallery London, The Museum of Contemporary Native Arts, Missoula Art Museum, St. Louis Art Museum, National Museum of the American Indian-New York, Minneapolis Institute of Arts, and the Bockley Gallery.

    Where/When
    Circling The Camp: Wendy Red Star
    iMOCA
    The Murphy Art Center, Fountain Square
    1043 Virginia Ave, Suite 5, Indianapolis 46203
    Thursday-Saturday, 1 p.m.-8 p.m.
    iMOCA is closed holidays and between exhibitions.
    Admission and parking are FREE.
    For more information please call 317.63i.MOCA

     

     

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  • Important Charles Russell Painting to Travel

    by James Nottage, Eiteljorg vice president and chief curatorial officer | Apr 09, 2014

    From the Gund Collection of Western Art, we are loaning Charles M. Russell’s important 1913 oil painting, Crippled but Still Coming to the National Museum of Wildlife Art, Jackson Hole, Wyoming.  There, it will be featured in the exhibition, Harmless Hunter: The Wildlife Work of Charles M. Russell.  This notable exhibit for the first time examines a little known aspect of Russell’s art: the depiction of wildlife.  Our painting will be included in the accompanying book and will travel with the show to the Rockwell Museum of Western Art in Corning, New York, the Sam Noble Museum of the University of Oklahoma, Norman, Oklahoma, and the Charles M. Russell Museum, in Great Falls, Montana.  It will be returned to the Eiteljorg in the fall of 2015.

    In place of the Russell painting, we will be featuring two wonderful watercolor paintings by the same artist that were also donated as part of the Gund collection.  Both of these works are watercolors that have been resting from light exposure for a short while.  They will go on exhibit in mid-April when Crippled But Still Coming is shipped to Wyoming. Be sure to stop in and see these wonderful watercolors.  They remind us that the artist painted a wide variety of Western subjects.  His imagination never took a rest and he once said, “if I lived a thousand years I could not paint all the things that come into my mind.”

    Charles M. Russell (American, 1864-1926)
    The Scouts, 1900
    Watercolor on paper
    The Gund Collection of Western Art, Gift of the George Gund Family


    Charles M. Russell (American, 1864-1926)
    Prairie Pirates, 1904
    Watercolor on paper
    The Gund Collection of Western Art, Gift of the George Gund Family


    Charles M. Russell (American, 1864-1926)
    Crippled But Still Coming, 1913
    Oil on canvas
    The Gund Collection of Western Art, Gift of the George Gund Family

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