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  • New Art 2.0 | Dyani White Hawk

    by Jennifer Complo McNutt, curator of contemporary art and Ashley Holland, assistant curator of contemporary art | Feb 02, 2015

    New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000.  New Art 2.0 closes this Sunday, Feb. 8, 2015.

    Litho Moc
    Litho Moc, 2014
    Lithograph, edition 5/9
    28 x 22 ½ inches
    Dyani White Hawk Understanding II_full image
    Understanding II, 2013
    Lithograph, edition 6/15
    22 ¾ x 17 ¼ inches

    As a woman of Lakota and European ancestry, my life experiences have been a continual negotiation of both Western and Indigenous educations, value systems, and worldviews. Through the amalgamation of symbols and motifs derivative of both Lakota and Western abstraction, my artwork examines, dissects, and patches back together pieces of each in a means to provide an honest representation of self and culture.

    Dyani White Hawk (Sicangu Lakota, born 1976) was born in Madison, Wisconsin, and resides in St. Paul, Minnesota. She received a bachelor of fine arts degree from the Institute of American Indian Arts and a master of fine arts degree in painting from the University of Wisconsin-Madison. White Hawk’s work often combines Lakota quillwork design with strong lines that echo blanket and moccasin patterns. Her care in using her abstractions to bring American Indian tradition into a dynamic contemporary context reveals a powerful intellect and remarkable originality.

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  • New Art 2.0 | Marie Watt

    by by Jennifer Complo McNutt, curator of contemporary art and Ashley Holland, assistant curator of contemporary art | Feb 02, 2015

    New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000.  New Art 2.0 closes this Sunday, Feb. 8, 2015.

    Marie Watt, Camp
     
    Camp, 2011
    Woodcut, edition 15/20
    20 ¾ x 16 inches

    Born to a Wyoming rancher and Seneca mother, Marie Watt (Seneca)has described herself as half cowboy, half Indian. Deeply studied in art, Watt says she "consciously draw[s] from indigenous design principles, oral traditions, and personal experience to shape the inner logic of the work I make." Much of her work, including that created at Crow’s Shadow Institute of the Arts, captures the texture and stories inherent in everyday objects. Watt was awarded an Eiteljorg Fellowship for Native American Fine Art in 2005. 
     
    Lodge, Marie Watt
    Lodge, 2005
    Woodcut, edition 20/20
    16 ½ x 14 inches 
    Plow, Marie Watt
    Plow, 2011
    Woodcut, edition 15/20
    20 ¾ x 16 inches
    Tether, Marie Watt
    Tether, 2011
    Woodcut, edition 15/20
    20 ¾ x 16 inches

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  • All that Glitters | New exhibit tells true stories behind America's Gold Rushes

    by DeShong Perry-Smitherman, Eiteljorg public relations manager | Feb 02, 2015
    Eiteljorg gold hair comb cup ring nuggets
    Gold hair comb, cup, ring, and nuggets

    Loan: Courtesy of Greg and Petra Martin
    Photography by Hadley Fruits

    What could tempt a doctor and his wife to leave their children and risk their lives? Persuade financiers to gamble on risky exploits?  Redraw the face of the American landscape? The insatiable pursuit for unimaginable wealth… the lure of quick money… gold. On Mar. 7, the Eiteljorg Museum of American Indians and Western Art will open Gold! Riches and Ruin, a new exhibit that explores a valuable mineral – and all the glitter and greed attached to the desire to get it. 

    “Our guests will see gold in all its forms – gold bars, gold jewelry and gold nuggets,” says John Vanausdall, Eiteljorg president and CEO. “But they will also witness some of the most compelling stories ever told related to the hunt for gold.”

    Gold! Riches and Ruin will demonstrate how the hunt for gold in the West changed the demography of an entire region, and had a profound impact on Native American populations. Gold rushes lured men and women from all walks of life, from all around the world, to places like California, the Black Hills of South Dakota, the Canadian Yukon and Alaska in pursuit of wealth and adventure. 
    Eiteljorg gold spanish flat
    Spanish Flat, ca. 1852
    Photographer: Joseph B. Starkweather
    Image courtesy of the California State Library, California History Room

    Johanna gold curator
    According to Johanna Blume (pictured left), exhibit curator, visitors to the museum will get to “meet” a host of  fortune seekers. Blume says stories in the exhibit illustrate the “perseverance and adventure” involved in striking it rich, but also the “ravenousness, violence, sacrifice and failure.”

    “The show celebrates the stories of those who struck it rich, but recognizes the unlucky ones who lost everything in their quest for riches.”

    Captivating accounts from gold rush experiences, spanning the 1840s to the 1910s, told through art and artifacts will come alive through comprehensive programs, interactive media and hands-on S.T.E.M. (Science Technology Engineering and Math) activities. The exhibit will also explore the broader appeal of gold up to the present day. Guests will see and experience:

    - Gold nuggets, coins, bars, jewelry and more
    - Gold mining equipment and tools
    - Paintings, journals and diaries, clothing and personal effects that belonged to prospective gold miners
    - Bars of gold salvaged from the shipwreck of the SS Central America, a steamship that sank off the Carolina coast in 1857 loaded with thousands of pounds of gold from the California gold fields
    - Science-focused activities which will lead students to think about how gold is sought, the technology used to extract it and the impact mining has on the environment.
    - An outdoor gold panning experience which will allow visitors to pan for “gold” and then use that gold to “purchase” an item in the Frank and Katrina Basile Museum Store.

    Gold! Riches and Ruin will be celebrated with an opening night party and exhibit preview, at 6 p.m., Friday, Mar. 6. Tickets range from $40 - $55. At the event guests will actually be able to search the museum for “gold.” The guest who finds the most will win gold jewelry! Gold! closes Aug. 9.
     
    Presenting sponsors of Gold! are Wells Fargo and Eli Lilly and Company Foundation with sponsorship support from Capital Group Companies and Barnes & Thornburg LLP.

     
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  • New Art 2.0 | Truman Lowe

    by Jennifer Complo McNutt, curator of contemporary art and Ashley Holland, assistant curator of contemporary art | Jan 26, 2015

    New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000.  New Art 2.0 closes Feb. 8, 2015.

    Truman Lowe
    Wána nápt, 2002
    Lithograph, edition 2/12
    30 x 22 ½ inches
    $1,060

    I like to make sawdust. - Truman Lowe

    Truman Lowe is professor emeritus of art at the University of Wisconsin-Madison. An acclaimed sculptor who has exhibited nationally and internationally, he served as curator of contemporary art for the opening of Smithsonian Institution’s National Museum of the American Indian. His work reflects his Ho-Chunk ancestry and culture and often captures the beauty and force of moving water. Lowe was among the first group of contemporary Native artists awarded an Eiteljorg Fellowship for Native American Fine Art in 1999.
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  • New Art 2.0 | James Lavadour

    by Jennifer Complo McNutt, curator of contemporary art and Ashley Holland, assistant curator of contemporary art | Jan 26, 2015

    New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000.  New Art 2.0 closes Feb. 8, 2015.
    James Lavadour
    Stick House, 2006
    Lithograph, edition 18/30
    22 ½ x 30 inches
    $1,460
    James Lavadour - untitled

    Untitled, 2010
    Monotype with oil, edition 1/1
    22 ⅜ x 30 inches
    $3,760

    James Lavadour (Walla Walla) continues to be one of the Northwest’s most revered painters. He is widely recognized for his abstract landscapes, structured and reinterpreted from the geography of his lifelong home, the Umatilla Indian Reservation. He is self-educated in art, describing the artistic process as gestures of painting that are their own acts of nature, similar to the landscapes they represent. Lavadour founded Crow’s Shadow Institute of the Arts as a reservation-based nonprofit organization in 1992. He has received numerous awards, including the Eiteljorg Fellowship for Native American Fine Art in 2005, Award for Visual Arts from the Flintridge Foundation in 2004, Oregon Governor’s Arts Award in 1994, and the Betty Bowen Award in 1991.
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