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  • New Art 2.0 | Pat Boas

    by Jennifer Complo McNutt, curator of contemporary art and Ashley Holland, assistant curator of contemporary art | Jan 02, 2015

    New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and Non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000.  New Art 2.0 closes Feb. 8, 2015.
    Pat Boas unalphabetic
    Unalphabetic #2 (unbeholden), 2012
    Lithograph, edition 3/12
    30 x 22 ½ inches
    $1,010
    Pat Boas (American) is from Portland, Oregon. Her work has been shown at the Portland Art Museum, the Art Gym, the Boise Art Museum, and throughout the Northwest. Boas was awarded the 2012 Bonnie Bronson Fellowship, which honors contemporary artists from the Pacific Northwest In addition to her visual work, Boas has written articles and reviews for Art Papers and artUS and was a contributing editor for Artweek from 2002 to 2006. Boas earned a bachelor of fine arts degree in printmaking from the Pacific Northwest College of Art and a master of fine arts degree in painting from Portland State University, where she works as an assistant professor and coordinator of the MFA in contemporary art practice/studio program.

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  • New Art 2.0 | Phillip John Charette

    by Jennifer Complo McNutt, curator of contemporary art and Ashley Holland, assistant curator of contemporary art | Jan 02, 2015
    New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and Non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000.  New Art 2.0 closes Feb. 8, 2015.
    Charette Medicine

    Medicine, 2008
    Monotype with mixed media, edition 1/1
    30 ¼ x 22 ¼ inches
    $2,260

    Phillip John Arnaqaq Charette is a mixed-media artist of Yup’ik and French Canadian heritage. His Native name, Arnaqaq, means "the one who is dangerous." He specializes in sculpture, Yup’ik spirit masks, and Native musical instruments, but has maintained a longstanding relationship with Crow’s Shadow Institute of the Arts, where he has created prints rich with both texture and symbolic meaning. One monotype from his 2008 Medicine series won first place for print monotypes and best of show in the graphics division at the 2008 Santa Fe Indian Market, as well as best of show at the 2008 Crossroads Regional Open Art Show in Baker City, Oregon.
    Charette Medine

    Medicine, 2008
    Monotype with mixed media, edition 1/1
    30 ¼ x 22 ¼ inches
    $2,260
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  • New Art 2.0 | Joe Feddersen (Colville Confederated Tribes)

    by Jennifer Complo McNutt, curator of contemporary art and Ashley Holland, assistant curator of contemporary art | Jan 02, 2015
    New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and Non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000.  New Art 2.0 closes Feb. 8, 2015.
    Feddersen

    Grids, 2003
    Monotype, edition 1/1
    22 ¼ x 30 inches
    $1,460

    Joe Feddersen was born in Omak, Washington, on the edge of the Colville Indian Reservation. In his twenty-year career, he has worked in painting, three-dimensional constructions like basketry and glass sculpture, photography, and computer-generated imagery. He is best known, however, as a virtuoso printmaker. Much of his work is influenced by geometric designs derived from traditional Plateau Indian artistry, which itself is inspired by Northwest landscapes, flora, and fauna. In 2001, Feddersen was awarded an Eiteljorg Fellowship for Native American Fine Art.

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  • New Art 2.0 | Blair Saxon-Hill

    by Jennifer Complo McNutt, curator of contemporary art and Ashley Holland, assistant curator of contemporary art | Dec 29, 2014
    New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and Non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000.  New Art 2.0 closes Feb. 8, 2015. 
    Blair Saxon-Hill
    All That Came Before, Introductions, 2013

    Monoprint, edition 1/1
    30 ½ x 49 inches
    $1,365

    An Oregon native, Blair Saxon-Hill completed her studio art thesis in installation art at Reed College in 2002. Prior series of works have focused on hunting and gathering, gravity, and what she terms "embodied inquiries." Saxon-Hill creates site-specific installations, artist books, sculpture, photographs, paintings, and prints.
    blair saxon-hill
    All That Came Before, Introductions, 2013
    Monoprint, edition 1/1
    30 ⅞ x 30 inches
    $940
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  • New Art 2.0 | Wendy Red Star

    by Jennifer Complo McNutt, curator of contemporary art and Ashley Holland, assistant curator of contemporary art | Dec 23, 2014

    New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and Non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000.  New Art 2.0 closes Feb. 8, 2015. 
    Wendy Red Star
    The (HUD), 2010
    Lithograph, edition 9/12
    30 x 22 ⅜ inches
    $835

    The main motive behind my work is humor and using humor as a tool to get to bigger underlying issues. I’m originally from Montana, and I grew up on the Crow Indian reservation in south-central Montana. I’m half Crow Indian and half Irish. I grew up immersed in Crow culture but with a dual perspective. Most of my art explores this experience from two worlds and some of the issues that occur within that territory.

    Wendy Red Star (Crow, born 1981) is an installation artist who received her bachelor of fine arts degree from Montana State University and her master of fine arts degree from the University of California at Los Angeles, both in sculpture. In her work, Wendy, who is a 2009 Eiteljorg Fellow, combines her own ethnic and gender identities with conventional and stereotypical ways of representing them. She resides in Portland, Oregon.
     
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