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  • Simple Pickling Recipe

    by Kahn's Catering | Executive Chef Sam Merenda | Nov 10, 2015

    simplepicklingwithchefsam

    Click on the video to watch Kahn's Catering Executive Chef Sam Merenda demonstrates how simple pickling veggies can be. His recipe is listed below.

    Simple Pickling Recipe

    • 4 cups water
    • 2 cups white vinegar
    • 1 tablespoon kosher salt
    • 2 tablespoon sugar
    • 1 tablespoon black peppercorns
    • 1 tablespoon coriander seeds
    • 1 teaspoon fennel seeds
    • 2-3 large bay leaves
    • 1 teaspoon mustard seeds
    • 6-8 cloves garlic
    • 1 sprig of fresh thyme, rosemary, sage

    In a sauce pot bring all ingredients to a boil for 5 minutes.  Place items to be pickled in the boiling water.  Depending on the texture and firmness of the product simmer for 2-3 minutes.  Remove product and place into an airtight container and store in the refrigerator for 3 days before consuming.  Products can last up to one month before spoiling.  You can add any other flavor you might like into the pickling process, like ginger, lemongrass, cinnamon sticks or clove.  Enjoy!!!





  • Meet 2015 Fellow Brenda Mallory

    by Ashley Holland, Assistant Curator of Native American Art | Nov 09, 2015

    Over the next few days, the Eiteljorg blog will profile the 2015 Fellows who will be featured in the upcoming Eiteljorg Fellowship exhibition, CONVERSATIONS. An opening celebration for this exhibit will be held on Nov. 13. Details below!

    What follows is an excerpt from the artist statement of Brenda Mallory (Cherokee Nation). You can read more about the artist and her work in Brenda Mallory: Ontology of Ripples by Heather Ahtone in the 2015 Eiteljorg Fellowship exhibition catalog, available in the museum store.

    Brenda Mallory
    (Cherokee Nation)

    BrendaMalloryheadshot

    Ecosystems, cultures, families, or individual lives that are under stress from outside influences have been the topic of much of my work. I often use natural, organic materials such as found cloth scraps and beeswax. I spend days sewing the same forms which I embed and coat with many layers of wax. The forms look like they might have grown out of the earth or have been found on a forest floor but they are connected with blackened nuts and bolts and other hardware to represent the meshing of the natural and industrial worlds. The contrast of crude mechanics and beautiful, natural forms opens the viewer to multiple levels of meaning, suggesting harshness and domination as well as tenuous connections that are fragile and likely to come apart. Most recently, I have been working with thread and line as a metaphor for life and life’s interruptions.

    2012_Undulations_(Red)_300dpi

    Undulations (Red), 2012
    Waxed cloth, nuts, bolts, welded steel
    Collection: Eiteljorg Museum
    Image courtesy the artist

    Often the damaged and repaired line is more beautiful than the pristine line. Sometimes it is stronger, sometimes weaker, but never the same.  I find beauty and solace in the necessity of repair, the evidence of the struggle, attempts at adaptation, and the healing act of pulling order from chaos.

    Reformed Spools 2015

    Reformed Spools, 2015
    Deconstructed thread spools
    Image courtesy the artist

    Sometimes it is stronger, sometimes weaker, but never the same.  I find beauty and solace in the necessity of repair, the evidence of the struggle, attempts at adaptation, and the healing act of pulling order from chaos.


    CONVERSATIONS runs from Nov. 14, 2015 - Feb. 28, 2016. Please join us for the opening of the exhibition on Nov. 13. The Eiteljorg Museum will honor the five Native Fellowship winners with an intimate gathering celebrating the artists. Guests will also enjoy a performance by Indigenous. End out the evening with the Contemporary Arts Party featuring Indigenous, Supaman, and DJ Kyle Long.

    Friday, NOV 13
    Opening Celebration!
    5:30 - 7:30 p.m. Celebration
    6 - 6:30 p.m.      Indigenous performs
    6:30 - 7:15 p.m. Program
    Cost: $40 [includes admission to Contemporary Arts Party]

    Contemporary Arts Party
    8 - 9 p.m             Indigenous performs
    9:45 - Midnight Supaman, DJ Kyle Long
    Cost: $15 in advance, $20 at the door

    Click here to purchase your ticket.

    ABOUT THE EITELJORG CONTEMPORARY ART FELLOWSHIP
    Luzene is one of five 2015 Fellows and her artwork will be featured in the exhibition CONVERSATIONS: The Eiteljorg Contemporary Art Fellowship, opening Nov. 13. This biennial program recognizes the accomplishments of one invited and four juried Fellows, which are chosen by a panel of independent experts. As part of the Fellowship, each artist receives a $25,000 unrestricted cash award and their work is exhibited and further explored in an accompanying catalog. In addition, the museum purchases a total of over $100,000 worth of art from the Fellows for the permanent collection, adding to a body of work that has given the Eiteljorg Museum a collection of Native contemporary art that has been referred to as the “greatest in the world.”




  • Meet 2015 Fellow Holly Wilson

    by Ashley Holland, Assistant Curator of Native American Art | Nov 04, 2015
    Over the next few days, the Eiteljorg blog will profile the 2015 Fellows who will be featured in the upcoming Eiteljorg Fellowship exhibition, CONVERSATIONS. An opening celebration for this exhibit will be held on Nov. 13. Details below!

    What follows is an excerpt from the artist statement of Holly Wilson (Delaware Tribe of Western Oklahoma/Cherokee). You can read more about the artist and her work in Holly Wilson: Bronze Stories by Margaret Archuleta in the 2015 Eiteljorg Fellowship exhibition catalog, available in the museum store.

    Holly Wilson
    (Delaware Tribe of Western Oklahoma/Cherokee)


    Holly Wilson-HeadShot

    I am a storyteller. As a Delaware/Cherokee Native American I grew up hearing many stories from my mother. I was drawn to those of shape shifters with the idea of a trickster who wears a mask to hide their identity, birds as messengers, and owls as bearers of tragic news. These stories now run through much of my work in the form of animals with human characteristics, masks of birds and other animals that I anthropomorphize.

    Holly Wilson-Belonging

    Belonging, 2014
    Bronze, Geodes
    Photography by Hadley Fruits

    The masks some of the figures wear are layered with meaning from creatures in nature to a child’s imagined world. As children, we make and wear masks to be anything we want or need to be and we could do anything in them, from being a super hero to a bird in flight.

    Holly Wilson-Masked
    Masked, 2012
    Bronze, African Mahogany
    Collection: Eiteljorg Museum
    Photography by Hadley Fruits

    As adults, the layers and meaning deepen and grow and these masks are a way to represent the different personas that we need or desire to be in life. They become an identity that one can live through or hide behind in our roles – I am a daughter, a sister, a friend, an aunt, a wife, a mother, artist, and Indian.

    In my sculptures I want you to breath in a moment frozen in time. I want you to feel another’s life like a skin for just that moment to see we are all one below that surface, that surface of skin no matter the color the shape or origin. My figures serve as my storytellers in the world, telling stories of the sacred and the precious, capturing moments of our day, our vulnerabilities, and our strengths.  They are the quiet echoes of life’s delicate balance, telling of the fragility in both life and their own form; how far one can reach, which step may be too many.



    CONVERSATIONS runs from Nov. 14, 2015 - Feb. 28, 2016. Please join us for the opening of the exhibition on Nov. 13. The Eiteljorg Museum will honor the five Native Fellowship winners with an intimate gathering celebrating the artists. Guests will also enjoy a performance by Indigenous. End out the evening with the Contemporary Arts Party featuring Indigenous, Supaman, and DJ Kyle Long.

    Friday, NOV 13
    Opening Celebration!
    5:30 - 7:30 p.m. Celebration
    6 - 6:30 p.m.      Indigenous performs
    6:30 - 7:15 p.m. Program
    Cost: $40 [includes admission to Contemporary Arts Party]

    Contemporary Arts Party
    8 - 9 p.m             Indigenous performs
    9:45 - Midnight Supaman, DJ Kyle Long
    Cost: $15 in advance, $20 at the door

    Click here to purchase your ticket.

    ABOUT THE EITELJORG CONTEMPORARY ART FELLOWSHIP
    Luzene is one of five 2015 Fellows and her artwork will be featured in the exhibition CONVERSATIONS: The Eiteljorg Contemporary Art Fellowship, opening Nov. 13. This biennial program recognizes the accomplishments of one invited and four juried Fellows, which are chosen by a panel of independent experts. As part of the Fellowship, each artist receives a $25,000 unrestricted cash award and their work is exhibited and further explored in an accompanying catalog. In addition, the museum purchases a total of over $100,000 worth of art from the Fellows for the permanent collection, adding to a body of work that has given the Eiteljorg Museum a collection of Native contemporary art that has been referred to as the “greatest in the world.”





  • Meet 2015 Fellow Luzene Hill

    by Ashley Holland, Assistant Curator of Native American Art | Oct 26, 2015

    Over the next two weeks, the Eiteljorg blog will profile the 2015 Fellows who will be featured in the upcoming Eiteljorg Fellowship exhibition, CONVERSATIONS. An opening celebration for this exhibit will be held on Nov. 13. Details below!

    What follows is an excerpt from the artist statement of Luzene Hill (Eastern Band of Cherokee). You can read more about the artist and her work in Luzene Hill: Free Falling Up by Martin DeWitt in the 2015 Eiteljorg Fellowship exhibition catalog, available in the museum store.

    Luzene Hill
    (Eastern Band of Cherokee)

    Luzene Hill cropped version

    Silence shrouds the experience of sexual assault.  A woman is often strangled to silence and control her and the aftermath is characterized by a different kind of enveloping disquiet.  Retracing the Trace presents an imprint of rape and exposition of the number of unreported sexual assaults that occur within a twenty-four hour period in the United States.

    luzene hill art2
    Photo Courtesy: Photography by Hadley Fruits


    The foundation for this work derived from the original marks of my own trauma and was realized by inserting myself (my body) into the process of making an imprint, as well as my presence in the gallery each day….

    luzene hill art3
    Photo Courtesy: Photography by Hadley Fruits


    Native American women are 2.5 times more likely to be sexually assaulted than women in the dominant society, and 60 per cent of the assaults are by non-Indian men. As a Native American woman I often reference Pre-Conquest culture in my work. The khipu was pertinent to this work, as a device made from cords, and as an endangered Native American language. I metaphorically connected the silencing I experienced when I was assaulted to the silencing of Native American culture and voices.



    CONVERSATIONS runs from Nov. 14, 2015 - Feb. 28, 2016. Please join us for the opening of the exhibition on Nov. 13. The Eiteljorg Museum will honor the five Native Fellowship winners with an intimate gathering celebrating the artists. Guests will also enjoy a performance by Indigenous. End out the evening with the Contemporary Arts Party featuring Indigenous, Supaman, and DJ Kyle Long.

     
    Friday, NOV 13
    Opening Celebration!
    5:30 - 7:30 p.m. Celebration
    6 - 6:30 p.m.      Indigenous performs
    6:30 - 7:15 p.m. Program
    Cost: $40 [includes admission to Contemporary Arts Party]

    Contemporary Arts Party
    8 - 9 p.m             Indigenous performs
    9:45 - Midnight Supaman, DJ Kyle Long
    Cost: $15 in advance, $20 at the door

    Click here to purchase your ticket.

    ABOUT THE EITELJORG CONTEMPORARY ART FELLOWSHIP
    Luzene is one of five 2015 Fellows and her artwork will be featured in the exhibition CONVERSATIONS: The Eiteljorg Contemporary Art Fellowship, opening Nov. 13. This biennial program recognizes the accomplishments of one invited and four juried Fellows, which are chosen by a panel of independent experts. As part of the Fellowship, each artist receives a $25,000 unrestricted cash award and their work is exhibited and further explored in an accompanying catalog. In addition, the museum purchases a total of over $100,000 worth of art from the Fellows for the permanent collection, adding to a body of work that has given the Eiteljorg Museum a collection of Native contemporary art that has been referred to as the “greatest in the world.”





  • Quest for the West Artist H David Wright

    by Eiteljorg Museum of American Indians and Western Art | Aug 20, 2015

    Scenes from the old West will come to life in paintings and sculptures that will fill the galleries of the Eiteljorg Museum of American Indians and Western Art, with the opening of the 10th annual Quest for the West® Art Show and Sale, Friday, Sept. 11, 2015. In one gallery, the only gallery like it in the state of Indiana, visitors can see and be the first to bid on millions of dollars in artwork from 50 coveted Western artists.  Meet Quest for the West Artist H. David Wright.

    Wright 2015
    H. David Wright
    Born 1942, in Rosine, Kentucky; lives in Gallatin, Tennessee
    Wright_Bent's_Fort_Arrival
    Bent’s Fort Arrival
    2015, oil on panel, 30 x 22 inches
    Bent’s Fort in present day Colorado was a gathering place during the western fur trade in the second quarter of the 19th century. Trappers, traders, and Indians flocked there to exchange their goods for supplies. My painting depicts a trapper as he might have looked after arrival at the post while camped outside the adobe fort. He displays fresh beaver plews still stretched on willow hoops. Once dry they will be traded for needed supplies.

    IF ONE WORD epitomizes the work of H. David Wright, it is “authentic.” David Wright has been ever drawn to artistically depicting the American frontier and the grand imprints of American history such as the Civil War.  Always set in studied landscapes that capture the fullness of topographic beauty and the richness of the local milieu, his paintings unfailingly reflect a love for country, history, and nature.

    Impeccable research and insightful realization are hallmarks of his paintings. While his forty plus years of painting include European and American training, it is in his studio and field research that his paintings become as distinctive as they are informative.

    Born in Kentucky and raised in Tennessee, Wright’s art captures the scenic beauty of the region while chronicling memorable episodes in American history. He is drawn to the awakening American frontier and the grand imprints of American history such as the Civil War.  His commissioned artistic centerpiece, Gateway to the West—Daniel Boone Leading the Settlers Through the Cumberland Gap, 1775, graces the visitor’s center at Cumberland Gap National Historical Park, in Kentucky. His paintings are frequently featured in television documentaries, as is he, as historian and subject expert. Wright is a founding member of the Southern Light Artists of America.

    Notable awards and achievements:
    2008    Eiteljorg Museum of American Indians and Western Art, Quest for the West, Victor Higgins Work of Distinction Award
    2008    Eiteljorg Museum of American Indians and Western Art, Quest for the West, Patrons’ Choice Award
    2007    Eiteljorg Museum of American Indians and Western Art, Quest for the West, Harrison Eiteljorg Purchase Award
    2005    Nominated for an EMMY for art direction, History Channel’s First Invasion—The War of 1812

    Memberships:
    Southern Light Artists of America

    Gallery representation:
    Legacy Gallery, Jackson, Wyoming and Scottsdale, Arizona
    Lord Nelson’s Gallery, Gettysburg, Pennsylvania
    www.davidwrightart.com

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