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  • It’s always the season to show R-E-S-P-E-C-T

    by Ashley Holland (Cherokee), Eiteljorg assistant curator of contemporary art | Oct 31, 2013

    Happy Halloween! A friendly reminder to always be respectful of other cultures when you are picking a costume…

    Each year, around Halloween, I face the same horror. No, it isn’t goblins or ghosts that frighten me. It is the ever-present “Indian costume.” There are a few reasons I am strongly opposed to the idea of anyone “dressing up” as an “Indian,” including cultural misrepresentation and reducing a diverse people into a single stereotype. I use the quotations with “Indian” because these are false representations.  Even though costume wearers are not portraying a specific person or group, they still do harm. By reducing a group of people to a stereotype, one perpetuates the misunderstandings that surround Native peoples. Native cultures should not be portrayed as a caricature. They are strong and vibrant. Show respect by not dressing up as an “Indian” during Halloween and the rest of the year. And do not be afraid to tell others why those costumes are inappropriate.


    CAPTION: "Indian costumes makes me sad."
    Ashley Holland (Cherokee),assistant curator of contemporary art (in the red sweater)

     

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  • Meet the Fellows | Meryl McMaster (Part IV of V)

    by Ashley Holland (Cherokee), Eiteljorg assistant curator of Contemporary Art | Oct 30, 2013

    Each week the Eiteljorg blog will profile artists who will be featured in RED: Eiteljorg Contemporary Art Fellowship. The exhibit opens Nov. 9. Details below!

    What follows is an excerpt from Meryl McMaster: Immeasurable, the Art of Being, by Ashley Holland 
    (from RED: Eiteljorg Contemporary Art Fellowship exhibition catalog).

    Meryl McMaster
    (Plains Cree/Blackfoot)

    Photo credit: Ian Clark

    My artistic practice begins with photography evoking a journey that follows a path of self-discovery….My art unravels notions of identity and subjectivity as something that is never complete, but always in process and always formed from within. -
    Meryl McMaster

    Meryl McMaster’s work creates a paradigm of the artist as visual philosopher. Her pursuit of knowledge, connection to the natural world, and relentless dedication to profound beauty make her photographs sumptuous and complex. They are a world unto themselves. She invites the viewers to join her in this world, to take what they may, and to grow from their own conclusions.

    McMaster was born to a Euro-Canadian mother and Plains Cree/Blackfoot father in 1988. Her father, Gerald McMaster, is a well-known artist, author, and curator of Canadian aboriginal contemporary art. There is little question that this upbringing gave McMaster a great well of cultural and ancestral memory in which to immerse and emerge as herself. It is also of no small consequence that she, as an early career artist, exists in the era of important cultural and social movements such as Idle No More, in which Canada’s aboriginal people strive to reclaim their place and rights in their communities locally, provincially, and nationally. No doubt this influences her political and social views, of which her photographs act as a visual record.


    Meryl McMaster (Plains Cree/Blackfoot)
    Anima (In-Between Worlds series), 2012
    Digital chromogenic print
    Eiteljorg Contemporary Art Fellowship Acquisition Fund


    Meryl McMaster (Plains Cree/Blackfoot)
    Wingeds Calling (In-Between Worlds series), 2012
    Digital chromogenic print
    Eiteljorg Contemporary Art Fellowship Acquisition Fund


    Meryl McMaster (Plains Cree/Blackfoot)
    Aphoristic Currents (In-Between Worlds series), 2013
    Digital chromogenic print
    Eiteljorg Contemporary Art Fellowship Acquisition Fund

    McMaster conceptualizes her work and then proceeds to use the moment, the environment, and the circumstance of that particular sequence to document the culmination of her vision. She has a space in her home where elements and concepts are envisioned and created as the stepping-stones to the act of photographing. For McMaster, the camera becomes an object that is vulnerable and dependent on the environment around it.

    McMaster’s photographs continue to grow stronger as she adds layer upon layer of experience toward the spiritual maturity she seeks. Her constant exploration of identity and search for (self) realization translate beautifully into lush images with each subject she captures. Her photography series  In-Between Worlds , Ancestral , and Second Self demonstrate the potency of her artistic message. It is not surprising that one so interested in pursuit of the elevation of the human spirit and self-consciousness about her bi-cultural heritage would choose to work in the form of a photographic series, as if to better investigate a world, a view, through a multi-dimensional lens and a plethora of sculptural, cultural, and natural materials. 

    Meet Meryl McMaster, Friday, Nov. 8 at the Eiteljorg.

    Schedule for opening weekend of RED:Eiteljorg Contemporary Art Fellowship
    Friday
    NOV 8
    5:30–7:30 p.m.
    Celebration!
    $40 – includes Saturday’s activities
    To commemorate the opening of RED: the Eiteljorg Contemporary Art Fellowship, the museum will honor the five Native Fellowship winners with an intimate gathering that celebrates their artistic accomplishments.

    7:30 p.m.–12 a.m.
    Contemporary Arts Party
    $15 at the door, $10 in advance – includes Saturday’s activities
    Celebrate the opening of RED by partying all night to the sounds of A Tribe Called Red and DJ Kyle Long of the Cultural Cannibals. Additional entertainment will be provided by the comedy improve group the 1491s, Big Car, Know No Stranger, and more!
    Tickets are available for purchase at www.Eiteljorg.org

    Saturday

    NOV 9
    All Day
    RED: Eiteljorg Contemporary Art Fellowship
    Be among the first to experience RED.
    Opening Day a
    ctivities include a gallery tour with the Fellows from 10 a.m.-12 p.m and from 1–3 p.m. a presentation by comedic cultural critics, the 1491s. Saturday's event is in collaboration with the 2013 Spirit & Place Festival. This festival reaches 20,000 people each year through dozens of “never before seen” programs that promote growth of the human spirit.

    ABOUT THE EITELJORG CONTEMPORARY ART FELLOWSHIP
    Meryl is one of five 2013 Fellows and her artwork will be featured in the exhibition RED: The Eiteljorg Contemporary Art Fellowship, opening Nov. 9. This biennial program recognizes the accomplishments of one invited and four juried Fellows, which are chosen by a panel of independent experts. As part of the Fellowship, each artist receives a $25,000 unrestricted cash award and their work is exhibited and further explored in an accompanying catalog. In addition, the museum purchases a total of over $100,000 worth of art from the Fellows for the permanent collection, adding to a body of work that has given the Eiteljorg Museum a collection of Native contemporary art that has been referred to as the “greatest in the world.”

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  • Meet the Fellows | Lawrence Paul Yuxwelupton (Part III of V)

    by DeShong Perry-Smitherman, Eiteljorg public relations manager | Oct 23, 2013
    Each week the Eiteljorg blog will profile artists who will be featured in RED: Eiteljorg Contemporary Art Fellowship. The exhibit opens Nov. 9. Details below!

    What follows is an excerpt from Lawrence Paul Yuxwelupton: Master Mixer, Man of Many Colors, by Dana Claxton (Lakota) 
    (from RED: Eiteljorg Contemporary Art Fellowship exhibition catalog). 

    Lawrence Paul Yuxweluptun
    (Coast Salish/Okanagan)
     

    Photo credit: Alana Paterson 

    I work for art, not to be used by racism. I make art to get rid of racism. - Lawrence Paul Yuxwelupton

    Lawrence Paul Yuxweluptun has been drawing and painting since he could hold an instrument in his hand. He once stated, "The paintbrush is like a weapon," and in his case, it is a weapon against the pen and the written word that colonialists used to dehumanize indigenous people and to steal Indian land. He has also stated, "I am a history painter." For over thirty years, he has been painting the "Indian" condition and all the complexities of being Indian, past, present, and future. He paints land…Indian land. The indigenous imperative to honor land has fueled most of his artistic output for the last three decades. And within the honoring of land, he weaves indigenous sovereignty and the de-subjugation and humanization of indigenous bodies right into the living land herself.

    Yuxweluptun has declared that "Canada is like a baby crawling around wearing a dirty diaper," suggesting that the nation is in an immature state of being and needs to come clean of its insidious past of legally oppressing Indians and the continued denial that there is anything wrong with the current state of aboriginal people. The bonds between Indian and non-Indian peoples are complex, filled with love, hate, desire, confusion, distrust, and fear. Canada and the United States have difficult histories that have shaped the difficult present. It is not always a pleasant picture, but Yuxweluptun vividly paints large-scale paintings and makes etchings, drawings, performance, installations, and sculptures that often depict these realities. His work addresses land use, land claims, and land spirits while always steadfastly stating that land is alive and needs to be respected and nurtured, cared for, loved. His work is shaped by indigenous imperatives of walking gently on the earth and not doing too much damage. His body of work has persuaded viewers to love Mother Earth and perhaps even love Indian people. He has often asked audiences, "Can you love Indian people?"


    Caution! You are Entering a Free State of Mind Zone, 2000. Acrylic on canvas.
    Private collection

    Yuxweluptun moves fluidly from large scale to intimate works, from color to black and white. Thirty-one works are included in this exhibition, ranging from large-scale acrylic on canvas to intimate drawings and prints.


    Floor Opener, 2013. Acrylic on canvas.
    Courtesy of Michael O’Brian

    The range of scale and hue and everything in between significantly represents his extensive oeuvre , moving with ease from one medium and scale to the other.
     

    Portrait of a Residential School Child, 2005. Acrylic on canvas.
    Private collection

    Whether abstract or his unique blend of Northwest Coast Salish surrealism, all the paintings maintain a color range that he invents. As a master mixer colorist, his palette refuses to remain the same after all these years of painting.

    Meet Lawrence Paul Yuxwelupton, Friday, Nov. 8 at the Eiteljorg.

    Schedule for opening weekend of RED:Eiteljorg Contemporary Art Fellowship
    Friday
    NOV 8
    5:30–7:30 p.m.
    Celebration!
    $40 – includes Saturday’s activities
    To commemorate the opening of RED: the Eiteljorg Contemporary Art Fellowship, the museum will honor the five Native Fellowship winners with an intimate gathering that celebrates their artistic accomplishments.

    7:30 p.m.–12 a.m.
    Contemporary Arts Party
    $15 at the door, $10 in advance – includes Saturday’s activities
    Celebrate the opening of RED by partying all night to the sounds of A Tribe Called Red and DJ Kyle Long of the Cultural Cannibals. Additional entertainment will be provided by the comedy improve group the 1491s, Big Car, Know No Stranger, and more!
    Tickets are available for purchase at www.Eiteljorg.org

    Saturday

    NOV 9
    All Day
    RED: Eiteljorg Contemporary Art Fellowship
    Be among the first to experience RED.
    Opening Day a
    ctivities include a gallery tour with the Fellows from 10 a.m.-12 p.m and from 1–3 p.m. a presentation by comedic cultural critics, the 1491s. Saturday's event is in collaboration with the 2013 Spirit & Place Festival. This festival reaches 20,000 people each year through dozens of “never before seen” programs that promote growth of the human spirit.

    ABOUT THE EITELJORG CONTEMPORARY ART FELLOWSHIP
    Lawrence Paul is one of five 2013 Fellows and his artwork will be featured in the exhibition RED: The Eiteljorg Contemporary Art Fellowship, opening Nov. 9. This biennial program recognizes the accomplishments of one invited and four juried Fellows, which are chosen by a panel of independent experts. As part of the Fellowship, each artist receives a $25,000 unrestricted cash award and their work is exhibited and further explored in an accompanying catalog. In addition, the museum purchases a total of over $100,000 worth of art from the Fellows for the permanent collection, adding to a body of work that has given the Eiteljorg Museum a collection of Native contemporary art that has been referred to as the “greatest in the world.”

    Go comment!




  • Artist-in-Residence Norris Chee (Dineh) - through Nov. 2

    by Linda Montag-Olson, Public programs manager | Oct 18, 2013

    Each fall the Eiteljorg connects Indiana students with Native artists from across the United States. This may be the only encounter some students have with someone from another culture and the excitement is palpable as they realize American Indians are alive and well today. The public is invited to the studios on Saturday afternoons where the artists will be available to speak with visitors as they work on their own projects.

    Painter Norris Chee (Dineh) 
    Meet the artist
    Saturdays
    Oct. 19 & 26
    1pm - 4pm
    Meet Norris, learn about his art and culture, and watch as he demonstrates his art-making techniques. 

    Airbrush workshop

    Saturday, Nov. 2
    10am - 3pm
    Fee $10 per participant
    (more info below)   

    Norris Chee (Dineh) is a painter who was raised in a very traditional Dineh home, and first learned to speak English in school. From his first pencil drawing on a second grade school desk, Norris knew he wanted art to be a part of his life.

    Norris will introduce students to Navajo culture and complete a drawing during his time with the group. Norris will share how animals and symbols play a part in the culture and language and how this was significant for the Navajo Code Talkers during WWll. Students will learn a Dineh word and draw a picture to help remember the word.

    Norris travels extensively across the United States entering art shows and winning awards, living his dreams of painting. Norris also works as an Artist in Residence for the state of Nebraska, visiting schools and communities, teaching students his artistic talents, methods and about the customs of his tribe.

    Pictured above:
    Norris Chee
    Eagle's Eye

     
    ABOUT THE AIRBRUSH WORKSHOP:
    This workshop is fun for the entire family! Get to know Norris, learn about his Dineh culture and his artwork, then roll up your sleeves and get to work. With Norris’ guidance, participants will design and create their own stencils, choose colors and create their own airbrushed t-shirt to take home.

    Because exact-o knives will be used for preparing stencils, this workshop is open to ages 10 and up with an accompanying adult. There will be a 1-hour break for lunch.

    Pre-register by calling (317) 636-9378. Please indicate your shirt size when registering (Adult – S, M, L, XL or Youth – S, M, L).

    Fee $10 per participant (covers all materials)

     

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  • Meet the Fellows | Julie Buffalohead (Part I of V)

    by Jennifer Complo McNutt, Eiteljorg contemporary art curator | Oct 09, 2013

    Each week the Eiteljorg blog will feature a profile of artists who will be featured in RED: Eiteljorg Contemporary Art Fellowship. The exhibit opens Nov. 9. Details below!

    Julie Buffalohead (Ponca Tribe of Oklahoma)

              My recent series reflects a journey of a more personal nature. The narrative tension my work creates emanates from the Native oral tradition of storytelling, while I blend in my own distinct strands of make-believe. –Julie Buffalohead

    Julie Buffalohead dreams a world. It is a world where oppressive societal mores are reenacted, challenged, and overcome by the meek. Small animals, rabbits and raccoons, birds and bears, and even Coyote the trickster have moments of tenderness, despair, and triumph as they meander through the ambiguous spaces of Buffalohead’s paintings.  

     Fearsome Critter, 2012. Mixed media on paper. Image courtesy the Bockley Gallery.

    Heart Sick, 2012. Mixed media on paper. Image courtesy the Bockley Gallery.    

    The Medusa Syndrome, 2010. Mixed media on paper. Image courtesy the Bockley Gallery.

         The fine, facile drawings are accentuated with the modeled and measured application of paint. It is an application that creates a quiet understanding of each element it describes, be it architectural or animal. Buffalohead creates a theater in the settings of her paintings: the woods, the bathroom, and the front yard, in a sandbox or a wading pool. The understated settings are the stage for monsters of domesticity, myths of motherhood, a fairytale history of America, personal experiences, and homage to Ponca culture. All are expressed through Buffalohead’s private visual language, a language so intriguing that it transports the viewer to another worldview: hers.

         Born in 1972, Buffalohead is an enrolled member of the Ponca Tribe of Oklahoma. She received her bachelor of fine arts degree from the Minneapolis College of Art and Design in 1995 and a master of fine arts degree from Cornell University in 2001. She currently resides in Minneapolis and has received many prestigious awards, including the McKnight Foundation Fellowship for Visual Arts and a Jerome Foundation Travel and Study Grant. A prolific artist, Buffalohead pursues in her current work a tireless personal and sociopolitical investigation based on being a woman, mother, Native, and conscientious observer. 

    –Excerpt from Julie Buffalohead: Fighter of the Good Fight
    by Jennifer Complo McNutt 
    (from RED: Eiteljorg Contemporary Art Fellowship exhibition catalog).

    Schedule for opening weekend of RED:Eiteljorg Contemporary Art Fellowship
    Friday
    NOV 8
    5:30–7:30 p.m.
    Celebration!
    $40 – includes Saturday’s activities
    To commemorate the opening of RED: the Eiteljorg Contemporary Art Fellowship, the museum will honor the five Native Fellowship winners with an intimate gathering that celebrates their artistic accomplishments.  
    7:30 p.m.–12 a.m.

    Contemporary Arts Party
    $15 at the door, $10 in advance – includes Saturday’s activities
    Celebrate the opening of RED by partying all night to the sounds of A Tribe Called Red and DJ Kyle Long of the Cultural Cannibals.  Additional entertainment will be provided by the comedy improve group the 1491s, Big Car, Know No Stranger, and more!
    Tickets are available for purchase at www.Eiteljorg.org
     
    Saturday

    NOV 9
    All Day
    RED: Eiteljorg Contemporary Art Fellowship
    Be among the first to experience RED.
    Opening Day a
    ctivities include a gallery tour with the Fellows from 10 a.m.-12 p.m and from 1–3 p.m. a presentation by comedic cultural critics, the 1491s. Saturday's event is in collaboration with the 2013 Spirit  & Place Festival. This festival reaches 20,000 people each year through dozens of “never before seen” programs that promote growth of the human spirit.

    ABOUT THE EITELJORG CONTEMPORARY ART FELLOWSHIP
    Julie is one of five 2013 Fellows and her artwork will be featured in the exhibition RED: The Eiteljorg Contemporary Art Fellowship, opening Nov. 9. This biennial program recognizes the accomplishments of one invited and four juried Fellows, which are chosen by a panel of independent experts. As part of the Fellowship, each artist receives a $25,000 unrestricted cash award and their work is exhibited and further explored in an accompanying catalog. In addition, the museum purchases a total of over $100,000 worth of art from the Fellows for the permanent collection, adding to a body of work that has given the Eiteljorg Museum a collection of Native contemporary art that has been referred to as the “greatest in the world.”

     

    Go comment!
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