Eiteljorg Musuem Blog
  • Quest for the West Artist Adam Smith

    by Eiteljorg Museum of American Indians and Western Art | Aug 10, 2015
    Scenes from the old West will come to life in paintings and sculptures that will fill the galleries of the Eiteljorg Museum of American Indians and Western Art, with the opening of the 10th annual Quest for the West® Art Show and Sale, Friday, Sept. 11, 2015. In one gallery, the only gallery like it in the state of Indiana, visitors can see and be the first to bid on millions of dollars in artwork from 50 coveted Western artists.  Meet Quest for the West artist Adam Smith.
    A Smith 2015
    Born 1984, in Medina, Minnesota; lives in Bozeman, Montana

    BORN IN MEDINA, MINNESOTA and raised in Bozeman, Montana, Smith has spent twenty seven years surrounded by the incredible wonders of western wildlife and has worked to master the art of its accurate rendering. Smith studies nature with the acute eyes of a scientist, yet gingerly recreates it with the hands of a painter. He is no stranger to fine art as he is the son of prominent wildlife artist and fellow Quest for the West artist, Daniel Smith. Make no mistake, this young artist sets himself apart from the competition and has already garnered much success in the art world. An avid traveler and cross-country explorer, Smith finds inspiration from trips he and his father have taken to Africa, Alaska, Utah, and dozens of national parks in between.

    Gallery Representation: Trailside Galleries, Jackson Hole, Wyoming and Scottsdale, Arizona

    Spring Runoff
    2015, acrylic, 18 x 36 inches

    Spring time in Montana is always a welcome sight. Warmer temperatures and additional moisture bring life back to the mountains. The spring runoff was in full effect and this black bear took full advantage of it. Experiences like this are what fuel my passion to paint. 


    Celebrate the best of the West and meet 50 of the nation's top Western-theme artists during the 10th anniversary opening weekend festivities for the Quest for the West® Art Show and Sale, Friday, Sept. 11 through Sunday, Sept. 13, 2015 at the Eiteljorg Museum of American Indians and Western Art in downtown Indianapolis, IN.

    Only registered guests may participate in opening weekend activities. Register now to join in the fun, make new friends, socialize with artists and seasoned and fledging art collectors, enjoy fine food and purchase art for your new or established art collection. For your convenience, four Marriott Place hotels are located directly across the street from the museum.

    Register to participate in opening weekend festivities by purchasing a weekend individual or couples package.  If you are unable to attend but wish to buy art, you may purchase an absentee buyer registration to participate in the sale. Absentee buyers must submit purchase instructions and a credit card number to the Eiteljorg Museum by Thursday, September 3, 2015.  Please check the Absentee Buyer box.

      $250 Member; $300 Non-member
    Package includes one Quest catalog and one bid book per registrant, plus participation for one in all Quest events.

    $450 Member; $500 Non-member
    Package includes one Quest catalog and one bid book per couple, plus participation for two in all Quest events.

    Are you unable to attend the sale, but interested in purchasing art? Absentee buyers may participate in the sale by purchasing a bid book and catalog for $150. Additional bid books are available for $150 each. Limit three bid books per registrant. Absentee Buyer Instructions (Click to download)

    TERMS AND CONDITIONS FOR SALE (Click to download)

    For registration-related questions, or for credit card registration by phone, please contact Kay Hinds at (317) 275-1341 or e-mail Your Quest catalog and bid books will be distributed when you check in at the registration desk on opening weekend. 

    Quest for the West is presented by the Western Art Society.

    Go comment!

  • Treasure of the SS Islander

    by Johanna Blume, Eiteljorg assistant curator of Western Art | Aug 03, 2015
    The SS Islander was a steamship owned and operated by the Canadian-Pacific Navigation Company during the Yukon-Klondike gold rush. It offered luxurious accommodations for bankers, tycoons, wealthy business owners, and others. The steamer weighed 1,519 tons, measured 240 feet in length, and was made of steel. It frequently made the trip along the inside passage to Alaska, serving the needs of those headed for the Klondike gold fields. The ship left Skagway, Alaska, on August 14, 1901, carrying 168 people and a reported $6 million in gold. The next day, south of Juneau, it struck an iceberg, took on water, and sank. The treasure and forty lives were lost. Salvage efforts soon began, continuing off and on until recent years. 

    The most successful recovery of treasure from the SS Islander took place in the last five years, with more than 1,000 ounces of gold being recovered. You can see gold and three full gold pokes – the small leather bags used to hold and transport loose gold flakes and nuggets – that were recovered from the shipwreck in Gold! Riches and Ruin. This is the first time these artifacts have been publicly exhibited, and pieces of their original seals are still intact.
    Canadian Pacific Navigation Company Ship
    S.S. Islander, ca. 1900
    Photographer: Major James Skitt Matthews
    Image courtesy of City of Vancouver Archives
    AM54-S4-: Bo N215

    asl_p277_001_166 - smaller last blog
     15 Days’ Clean Up by the Gold Run (Klondyke) Mining Co., 1886–1913
    Image courtesy of the Alaska State Library, Wickersham State Historic Site Photos, 1882–1930s; ASL-P277-001-166

    Go comment!

  • WestFest is Back this Saturday | Wells Fargo Stagecoach on Monument Circle Friday

    by Jaq Nigg, Eiteljorg festivals and events manager | Jul 29, 2015

    Has there been a hitch in your gitalong since the last WestFest way back in 2012? Well, the Eiteljorg is someone to ride the river with! We listened to your bellyaching and are excited to announce the return of the popular family event.

    Put on your western bib and tucker and join us as we bring back the sights, sounds, and smells of the American West at WestFest on Saturday, Aug.  1.

    Enjoy a day full of family fun:

    • Pose for a wanted posterWestFest 2011 014
    • Pan for gold
    • Try authentic chuckwagon grub and drink sarsaparilla
    • Compete in the stick-horse rodeo
    • Take a ride on a stagecoach
    • Hands on activities, games, and westerns
    • Sing, dance, and yodel along with western performers.
    • Try your hand at making a rope, roping a cow and trick roping.
    • Hang out with working blacksmiths
    • Check out a surgical kit used by gold miners
    • Learn about western myths and legends

    And more…

    Whether you’re a dude, cowpoke, or a tenderfoot, you don’t want to miss this fandango. Every big bug should pony up for all the fluff duffs and put WestFest on your calendar now. It’s just two whoops and a holler.

    Tickets are included with museum admission. WestFest is  on gullywasher  or shine.

    Friday’s WestFest preview event at Monument Circle
    On Friday, July 31, the Wells Fargo stagecoach, a replica of the six-horse Concord coaches famed for charging across the vast plains of the West, will spend two hours at Monument Circle to kick off WestFest. From 11:30 a.m. – 1:30 p.m., visitors to the circle can have their pictures taken with the stagecoach, learn more about WestFest and play games. At 1:30 p.m. the stagecoach will leave Monument Circle and head south on Meridian St. to Washington St. and head west to the Eiteljorg Museum. 

    WestFest is presented by the Sunrise Foundation and sponsored by Wells Fargo. Admission to WestFest is included with museum general admission.

    In case you need a tutorial on Western lingo and phrases, check this out:

    Bellyaching - ComplaintsGoldPanning
    Big bug - Important Person
    Cowpoke -  Worker
    Dude - Fancy person
    Fandango -  Big Party
    Fluff duffs -  Fancy food
    Gitalong -  Not feeling right
    Gullywasher -  Heavy rain
    Pony up - Hurry
    Ride the river with - You can count on us
    Tenderfoot - Youngun’
    Tucker -  Best clothes
    Whoops and a holler -  Not far away

    Go comment!

  • Points North: Dawson City and Nome

    by Johanna Blume, Eiteljorg assistant curator of Western Art | Jul 15, 2015
     Here was a big city growing before our very eyes. It recalled one of those street scenes that have become so popular at recent exhibitions, only this was before the opening ceremony, and they were hurrying up so they could get it finished in time! The footway was blocked to such an extent with men walking, or standing about, or sitting on the piles of timber, that it was with difficulty that we could get along.

    —Julius M. Price, Dawson City, 1898

    Dawson City, nicknamed the “San Francisco of the North,” was the center of the Yukon-Klondike gold rush. Founded in 1897 on the banks of the Yukon River and nestled at the foot of towering mountains, the city grew at a startling rate over the next few years. In the peak years of the gold rush, between 30,000 and 40,000 people called Dawson and the surrounding area home. The town boasted a public library; a variety of stores and businesses including doctors, lawyers, fortune tellers, and laundries; and a number of saloons, dance halls, and hotels.

    Nome, Alaska, experienced a similar “boom and bust” period. Between the summers of 1899 and 1900 the population swelled from a small cluster of tents to a bustling city of 20,000. Perched on the shores of the Bering Sea on the far western coast of Alaska, the town sprang up almost overnight. It included a post office, shops, a U.S. military outpost, several churches, and a variety of drinking and gambling establishments.

     It may be possible to imagine a more unlikely setting for a frontier mining town, or for that matter, a town of any kind, but I can’t think where. Perhaps there is such a place in Antarctica.

    —Historian William Bronson, describing Nome, 1969 

    1998.34.1.34-jpg smaller

    Residence of C. Lund No. 26. Above Discovery Bonanza Creek, ca. 1905
    Image courtesy of the Washington State Historical Society; 1998.34.1.34

     Warner140@300ppi_8x10-smaller tent
    Tents and Wooden Structures on Beach at Nome, Looking East, with Sledge Island in the Distance, ca. 1899
    Photographer: Arthur Churchill Warner
    Image courtesy of University of Washington Libraries, Special Collections; Warner 140


    Cribbage Board, 1909
    Scrimshawed walrus tusk ivory
    Loan courtesy of the University of Alaska Museum of the North; UA94-009-0041
    Photography by Hadley Fruits

    The carvings on this walrus tusk show the town of Nome, Alaska, in 1909. The back shows the skyline of the entire town.

    Go comment!

  • Willoughby Sprig Digs Up Gold Rush Pop Songs

    by Chris Burrus, Banjo player for Willoughby Sprig | Jul 14, 2015

    This week we feature a guest post written by Chris Burrus, banjo player for Willoughby Sprig. The folk-inspired duo play Gold Rush era music under the sails most Saturdays as part of Gold! Riches and Ruin. You can also here them perform original music this Wednesday, July 15 at 5:00pm as part of the Eiteljorg’s Summer Under The Sails Music Series.


    Willoughby Sprig “Digs Up” Gold Rush Pop Songs


    Requests to play My Darling Clementine: 0

    Requests to play Freebird: 5


                We are now two months into our stint performing period music for Gold! Riches and Ruin and have yet to be asked to play My Darling Clementine. Unfortunately, I have lost a bet with our fiddle player, having confidently predicted that we would be asked to play it within several hours of starting our program of music from the Gold Rushes two months ago.

                This bad luck has done nothing to quell my enthusiasm for playing the music. As a performer of the music of the Gold Rush, I've sung the songs of miners, prospectors, sailors, drunks, thieves, various wildlife, happy folks, grieving folks, and all sorts of rough-and-tumble types. If there is one thing I've learned from this music, it's that losing a bet would have been the least of these folks' worries. 

                The Gold Rush and the American Civil War can be grouped together as the two great contributors toward America's influential place in early folk and popular music. However, if the music of the Civil War is the charismatic, lead-guitarist of American musical nationalism, the music of the Gold Rush is the craggy, cigar box guitar player who wrote most of Civil War's songs. The practice of parody song writing, for example, which became a major musical genre in the Civil War, first earned its place in popular song writing during the Gold Rush. Popular songs such as Stephen Foster's Way Up the Swanee River became Way Up the Yuba River. The minstrel tune Boatman's Dance became Ho! For California. In both cases and many others, a parody song was created. Lyricists borrowed the melodies of popular songs and folk tunes, composing new lyrics to match the experiences of those heading west for gold. Both the Foster melody and the minstrel tune would go on to become massive hits during the Civil War as well.

                The music of the Gold Rush as a genre is not exactly folk, but popular music with a sprinkling of the folk idiom. Its place was in the saloon, the barrel house, and the concert hall, rather than in the community. Lyricists were looking to make a quick buck with tickets and sheet music rather than to preserve a tradition. This mindset produced a music whose success depended upon its ability to glorify the variety of experiences among those listening, thereby heightening its appeal and broadening its popularity.

                Because the music of the Gold Rush required variety to be profitable, Willoughby Sprig has tuned up a whole slew of foot-stompers, tear jerkers, love ballads, travel tunes, and cave-hollers from a vast collection of music. These pieces, along with features from the exhibit, The Chilkoot March and The Klondike: March of the Gold Miners, can be heard under the sails most Saturday afternoons through mid-August. We also take requests, as long as they are from 1849!asl_p44_03_184-jpg
    Men and dogs outside log cabin, ca. 1900
    Image courtesy of the Alaska State Library, Skinner Foundation Photographs, Alaska Steamship Company, 1890s-1940s; P44-03-184
    asl_p425_6_35-blog 19
    Four Prospectors Relax on Their Cabin Bunk, ca. 1898
    Photographer: Claude Hobart
    Image courtesy of the Alaska State Library, Claude Hobart Photograph Collection, 1898-99; P425-6-35

    1 Comment
© Eiteljorg Museum. All rights reserved.